Persona
I’ve already written a bit on the documentary, Dying Laughing, but there’s a lot more to say there [plus, I transcribed quite a bit of stuff, so I...
I’ve already written a bit on the documentary, Dying Laughing, but there’s a lot more to say there [plus, I transcribed quite a bit of stuff, so I...
If the title doesn’t already tell you: *Warning: Explicit Language* Rory Scovel’s new special, Rory Scovel Tries Stand-up for the First Time on Netf...
I’ve already written about Bill Maher’s recent N-word problem; however it’s not the first time he’s been a part of a discussion about ra...
Controversy I’m a fan of Iliza Shlesinger; seen her live, watched all her specials. So when, on Monday (6/12/2017), Deadline’s Matt Grobar posted an...
Audience Metaphors There’s a lot going on in the series of interviews masquerading as a documentary, Dying Laughing. However, I’d like to start with one I’ve b...
When talking about stand-up comedy, a lot of attention is given to the figure of the wise fool. This concept is traceable back to at least the middle ages (for...
Betsy Borns begins her book, Comic Lives, with a chapter on audience, yet while the motive for audience attendance is clear (tension release, in her opinion), w...
Betsy Borns differentiates the dick joke from sexual jokes as based on “what makes the joke funny: if people laugh because the word ‘fuck’ is used, that’s a dic...
Talking about Hasan Minhaj’s new Netflix special, Homecoming King, Nathan Mills of The Joplin Globe has a lot going on, but I want to call attention to th...
Several theories of humor address the idea of the spaces where it takes place as being in part, how we approach it. Johan Huizinga has one such theory. Play an...