Chattoo, The Laughter Effect I. B. The Why and Potential of Comedy
In May (2017), Caty Borum Chattoo, co-director of the Center for Media and Social Impact at American University and a comedy fan, released “The Laughter E...
In May (2017), Caty Borum Chattoo, co-director of the Center for Media and Social Impact at American University and a comedy fan, released “The Laughter E...
In a previous post, I discussed a common, simple model of carnivalesque that was based off the idea of a Roman Catholic celebration of Carnival prior to Lent wr...
It’s fairly common, when talking about humor, to use the word carnivalesque (see for instance Fiske; Gilbert; Miller). The concept was most famously used...
When talking about stand-up comedy, a lot of attention is given to the figure of the wise fool. This concept is traceable back to at least the middle ages (for...
Betsy Borns begins her book, Comic Lives, with a chapter on audience, yet while the motive for audience attendance is clear (tension release, in her opinion), w...
Betsy Borns differentiates the dick joke from sexual jokes as based on “what makes the joke funny: if people laugh because the word ‘fuck’ is used, that’s a dic...
Talking about Hasan Minhaj’s new Netflix special, Homecoming King, Nathan Mills of The Joplin Globe has a lot going on, but I want to call attention to th...
Several theories of humor address the idea of the spaces where it takes place as being in part, how we approach it. Johan Huizinga has one such theory. Play an...
Comic and internet sensation Kenny Sebastian, in an interview with Letty Mariam Abraham of Mid-day (5/14/2017) about his recent special, Don’t Be That Guy...
I make my Advanced Public Speaking students write and give a speech of apology for a public figure, so when we’re talking about comics giving apologies, w...